Toll free888-644-9297
MICHAEL FELANDO CHASEGlobal Management LLC

Footage that looks
like the business actually is.

Production, editing, and the steady content a business needs to stay visible. Commercials and brand films, event and business photography, and short-form video built for the platform it lives on.

A cinema camera on a tripod in a dim studio, a monitor glowing warm, cables coiled on the floor
Covers
Photo, video, editing, social
Where
On location or remote planning
Starts with
A conversation about the goal

What this is for

Most businesses do not need more footage. They need the right footage.

A phone camera and good light will cover a lot. What usually goes wrong is not the camera — it is that nobody decided what the piece is for. A commercial, a testimonial, and a fifteen-second social clip are three different jobs, and they are shot differently.

So the work starts with the question underneath the request: who is this for, where will they see it, and what should they do afterward. Then the shoot is planned around that answer, and the edit is built to land it.

Editing and post are part of the service rather than something handed back to you. Raw files are not a finished product, and a business owner should not have to learn a timeline to get one.

Scope

What can be produced

  1. 01

    Commercials and brand films

    Scripted or documentary-style pieces for a website, a launch, a lobby screen, or a paid campaign. Planned, shot, and cut to a length that fits where it runs.

  2. 02

    Photo production

    Business and team portraits, product and space photography, and event coverage — delivered edited and sized for the places they will actually be used.

  3. 03

    Editing and post

    Cutting, color, sound cleanup, captions, and delivery in the formats each platform expects. Existing footage can be brought in and turned into something usable.

  4. 04

    Social media content

    A steady set of short vertical pieces rather than one expensive video a year. Shot in batches so there is a backlog to post from.

  5. 05

    Media coverage

    Coverage of games, events, openings, and milestones — the photos and clips that document something while it is happening.

A quiet office desk with a leather chair, a blank document, and soft daylight through a blind

How it runs

Planned before anything is switched on.

A brief, not a shot list
What the piece has to accomplish, who it is for, and where it will be shown. The shot list comes after that, not before.
One shoot day, planned tightly
Locations, people, and timing agreed ahead. Most small-business pieces are one day, sometimes less, when the plan is honest.
Review before delivery
You see a cut and say what is wrong with it. Revisions are part of the scope agreed at the start, in writing.
Files you keep
Finished pieces delivered in the formats you need. What happens with raw footage is agreed at the start so there is no question later.

Production is scheduled around the subject's availability, including evenings and weekends where the schedule allows. Travel is quoted with the project, and remote planning and editing are available anywhere.

Start here

Tell me what you are trying to get done.

A short message is enough to begin. Michael will call back, ask what he needs to ask, and tell you plainly whether this is the right service or something else is.

888-644-9297

By appointment — evenings and weekends when the schedule allows.

Toll free — call or text

Every request is answered personally. No obligation, and no documents needed to ask a question.